Album Review: Tape Loop Orchestra - Held Against The Light
I wonder if people grow weary of reading my reviews (in
general) but especially reviews that are about ambient or experimental music,
because they wince every time I use the word “evocative” or
“transcendental”—and yes, I am well aware of how often I use (and overuse)
those words when writing about experimental music.
But, in my limited lexicon’s defense, how else do you
describe wordless music to someone? The other common descriptors I run to do
not apply, and if it is successfully executed instrumental music, it should
transport the listener somewhere, or should conjure up some kind of emotions
out of them.
So, here we go—another chance to transcend; another chance
for something to be evoked right out of you.
Andrew Hargreaves has hit a prolific streak. Beginning less
than a year ago with Go Straight Towards The Light of All That You Love, his Tape Loop Orchestra output has been
strong—both in the sheer amount of material he’s putting out, as well as the
quality of what he releases. Hargreaves closed out 2016 with the incredible
two-piece suite The Invisibles, and
just mere months ago, released the ethereal Instrumental Transcommunications.
Hargreaves can’t stop and won’t stop, and he has returned
with Held Against The Light, a studio
version of a 40-minute piece he composed specifically for a live performance in
Chicago.
With the way the Tape Loop Orchestra has evolved since the
beginning of 2013, there are two distinct sides (and sounds) to the project.
Hargreaves has slightly moved away from the dusty, decaying loops found on his
classic In A Lonely Place, and has
since embraced both haunting, lush string arrangements, as well as spooky,
fragmented, and creeping dissonance. Occasionally the worlds collide, but
overall, he strikes a balance that keeps them as separate as they can be.
Held Against The Light
falls into that lush, orchestral category. Somber and fragile in ways that words
won’t be able to do justice to, this piece works almost effortlessly to envelop
you in its warmth, pulling you down deep into its layers of strings, finding
those places within the darkness where the lush and organic and the spooky
fragments collide with astounding, breathtaking results.
Sequenced as one, long 40-minute seamless piece of music, Held Against The Light is unrelenting,
but never oppressive. Like nearly all Tape Loop Orchestra compositions, the
best listening experience is with a pair of headphones, and a clear and open
mind.
And yes, believe it or not, it is evocative in the
atmosphere it weaves, creating a transcendental experience for the listener.
(Sorry.)
Exponentially more accessible (as accessible as experimental
music can be) than Instrumental
Transcommunications and The
Invisibles, Held Against is
similar in its atmosphere to the 2014 one-off piece, “Yesterday, This Would Have Meant So Much to Us.” It’s another success for Hargreaves as an ambient
and experimental composer, another stand out in an already stellar canon of
work, and most importantly, a true statement of beauty that isn’t easy
forgotten after the music swells one final time and slowly swirls into
nothingness.
Held Against The Light was an edition of 200; it is now sold out, but by all means, please pay over $30 for a copy off of Discogs.
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