Album Review: Sorority Noise - You're Not As ______ As You Think
I recently ordered some patches from the American Football online store. I get updates from the band in my social media feed, and they
recently advertised one that includes one of my favorite lyrics from “I’ve Been So Lost For So Long.” It’s the kind of purchase I make without batting an
eyelash; I bought two, actually, as well as one that reads I’m as Blue as The Sky is Grey, a line pulled from “I Need A Drink
(or Two or Three.)”
The patches are
huge—much larger than I was expecting. My wife thought they would be merit
badge sized. I’m not at a lost for what to do with them. They’ll end up on
something; maybe my denim jacket, maybe my backpack. I guess I just need to
carve out some time to iron them on properly. But for now they are on the
kitchen table, along with health insurance claims and a bottle of Flonase.
I can’t say I’ve
written at length about “emo” as a genre around here, but I’ve probably written about it enough that my history with the much-maligned genre doesn’t need to be
rehashed. It’s certainly not a genre I had given a ton of thought about until
last fall when I discovered the aforementioned American Football, thanks to
their long awaited second album. It’s relatively easy to call that album “adult
emo,” and as a 33 year old, it’s difficult for me to comprehend that there are
still “new” bands popping up and dabbling in the genre.
But there are.
I take a lot of things I read on Pitchfork with a grain of
salt. Any time an album gets a high rating, I raise my eyebrow at it until I
can listen to it for myself and decide if it is something that was really worth
of such praise. I’m even more skeptical of anything that Ian Cohen reviews;
specifically, anything he gives a positive review to.
I hadn’t heard of the band Sorority Noise until a review of
their latest full length, You’re Not As
_________ As You Think, turned up on the homepage a few weeks ago, earning an 8 out of 10. I scoffed at the title, but at the same time, I was intrigued.
Sometimes I think I take music too seriously—or, at the very
least, that I need my music to be humorless. I turn my nose up at anything that
cracks a joke or gives a knowing wink, which is why I always struggled with a
lot of emo bands during my time in the genre (2001 to 2004)—Brand New
specifically comes to mind. Sure they could write serious songs like “The Quiet
Things That No One Ever Knows,” but they also had a lot of really silly songs
too like “Jude Law and The Semester Abroad.”
So it’s that whole balance between humor and darkness, or
seriousness, as it were, that I struggle with when I listen to something like You’re Not As. Sorority Noise, as a
whole, don’t seem to take themselves super seriously, but right from the word
go, the album plunges you into darkness and seemingly resorts to jokes or
laughs as a life preserver or sorts.
Serving as a song cycle working through death, grief, and
questions of faith, Sorority Noise frontman Cameron Boucher pulls no punches on
the album’s powerful and theatrical opening track, “No Halo,” where he recalls
accidentally driving to an old friend’s house, only to remember that, upon
arrival, his friend had died the year prior.
Unrelenting, the song segues into “A Portrait Of,” which is
where that pathos and humor collide, with interesting results: “I’ve been feeling suicidal (a hell of an
opening line), and if I need remind you
it’s not the coming of my heart and my brain. I was thinking about how great it
would be if I could make the tightness in my chest go away. It’s been awhile
since I’ve seen God, and I’m not trying to lead him on, but he’s always trying
to fuck me to the tune of my favorite song.”
So yeah, I think it goes without saying that there is a lot happening there. And that’s not
even taking into consideration the brutal “scream-o” coda to the song, where
Boucher winds up shouting “I have to do
everything in my fucking power to be the person that I can be and live my life
the best way I fucking can and some days it’s so hard to fucking stand”
until you can actually feel his larynx shredding.
The album’s pacing changes with the next two songs: “First
Letter From St. Sean” (taking its title from the way one reads from a bible
verse) serves as a late arriving thesis of sorts about the inspiration for the
album: “When your best friend dies, and
your next friend dies, and your best friend’s friend takes his life,” Boucher
utters quietly, prior to attempting to process the pain and grief while still
being a functioning human being on “A Better Sun.”
Sorority Noise slide back effortlessly into emo
theatricality on the album’s centerpiece, “Disappeared,” complete with
self-aware lyrics and a huge shout along, frisson inducing refrain.
I hesitate to say the former portion of You're Not As is frontloaded with its better material in comparison
to the latter half, but the album shifts tones as it heads into its conclusion,
with Boucher not so much finding an understanding or any kind of resolution to
these themes he has explored, but maybe more of an acceptance.
You're Not As
culminates in a powerful, and truly “emo”tional double shot—“Second Letter From
St. Julien” and “Leave The Fan On.” While the questions of religion, god, and
spirituality run throughout the album, “Second Letter” addresses them in the
most blunt fashion: “How can I believe in
god if he won’t believe in me?” Boucher asks, after recalling friends who
have overdosed and taken their own lives.
Even though the album ends with an acoustic, very quiet
epilogue in the form of “New Room,” the album’s themes culminate and collide in
“Leave The Fan On,” where Boucher drags the listener through all of his
anxieties one last time as everything crashes down around him in the final
moments of the song.
For an album that clocks in at, like, a half hour, and is by
an emo band in 2017, You're Not As ______
As You Think surprisingly asks a lot
of its listeners. It asks them to have faith, and to believe that there is a
god; it needs them to have a sense of humor and to be okay with jokes tossed
into songs about otherwise serious subjects; it asks them to have been, at one
time in their lives, too emotional for their own good; it wants them to enjoy
the bombastic, dramatic, and soaring theatrics that come with the genre.
It’s not a simple album and there are no simple answers in
the end. People die, people look for answers in a higher power and may not find
them, and people are a mess inside.
Emo, as a genre, isn’t something that grows with you; or, at
least, it didn’t for me. But it is something that you can always look back on
and see why you were attracted to it in the first place.
You're Not As is
an impressive accomplishment by a relatively young band. Formed in 2013,
Sorority Noise are an outfit that are obviously on the cusp of something bigger
and more serious than they had intended in their beginning, and this is the
sound of that growth as they grasp at what is a head while still keeping on
foot in what is behind them.
You're Not As _____ As You Think is out now via Triple Crown.
You're Not As _____ As You Think is out now via Triple Crown.
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