Hot New Joint: “Nonkilling 6 | Hunger" by How to Dress Well
As had been implied in June, when Tom Krell released Land of The Overflowing Urn—a two song EP of sorts previewing new music from his How to Dress Well moniker, alongside
announcing a fall tour, I had the feeling a new full-length from Krell was not
far off.
Krell’s Instagram story of a vinyl test pressing was a bit
of a giveaway—but as it turns out, I was correct in my suspicion that a new
full-length, The Anteroom—Krell’s
fifth under the name How to Dress Well, will arrive on October 19th,
and has been preceded by a single titled “Nonkilling 6 | Hunger.”
The song, as well as the album’s revealed track listing,
confirms what Krell hinted at with the Overflowing
Urn EP; with his previous two full-lengths, he began opening his arms as
wide as he could to embrace a what could only be called a brightly colored and
bombastic ‘pop’ music sound, The Anteroom
seems to find Krell no longer with his arms open, but rather with them folded
across his chest—not in an effort to seem unapproachable or to cut himself off,
but rather, to be representative of the important crossroads he’s reached as a
performer.
Written and recorded in 2017, following the result of the
day’s tumultuous political climate as well as Krell’s own relocation to Los
Angeles, in press materials for The
Anteroom, he says that the album is representative of a two-year period
where he fell into a ‘cosmic loneliness.’
“In order to give myself a way back, I began to try and
understand my station as some kind of anteroom—a space between—a chamber that separates
the known and the unknown, stable life from total disintegration.”
Musically, what it means is that The Anteroom—specifically the titular track, as well as “Nonkilling
6 | Hunger,” finds Krell working retreating from the large scale pop grandeur
he had been building toward, and instead, embracing the idiosyncratic, pensive,
and reflective nature of his earliest material released under the How to Dress
Well name—but this time, doing it, more or less, on the dance floor.
As “The Anteroom” did before it, “Hunger,” owes a lot to the
overall aesthetic electronic music from the early 1990s—as the song primarily
unfolds over the top of a skittering, quickly moving, and damn near iconic
sounding beat, while myriad layers of synthesizers, atmospherics, and
additional manipulations from Krell are piled on the top of it.
Both pieces also find Krell experimenting with the idea of
the song, and possibly the album as a whole, as a collage of sorts—Overflowing Urn presented “The Anteroom”
on its own, yes, but it also included it in a longer, and larger context,
sequenced within a multi-movement, seamless structure called “Vacant Boat
(Shred) | Nonkilling 1 | The Anteroom | False Skull”—all of which are names of
tracks, pieces, or variations included throughout the track list for The Anteroom.
“Nonkilling 6 | Hunger” arrives as a bit of a slice of the
collage, taken out of the context of the whole.
While it’s easy to get caught up in the slithering groove
that Krell effortlessly steers the song into through the combination of the
array of synthesizer patterns and sequences, as well as the unrelenting rhythm
of the drum programming, it is still a How to Dress Well song. We are miles
removed from the murky ‘lo-fi R&B’ aesthetic of Krell’s proper debut for the
project—2010’s Love Remains, but that
inward and thoughtful nature of self-exploration is still very present on “Nonkilling
6 | Hunger.”
The song begins with Krell referencing Stéphane Mallarmé’s
unfinished poem “A Tomb for Anatole,” written in 1879 the wake of the death of
his eight year old son. This brief portion of the song is, according to the way
its annotated on Genius, the “Nonkilling” section—it then slides right into the
“Hunger” portion, with Krell stringing together incredibly haunting and evocative
phrasing and imagery—“They still can’t
name that fragrant wind rolling off a corpse,” he sings early on in the
song, then later, “Pronounce the gray
that the rains had brought over the sun, like a veil to suffocate the Earth.”
Using this kind of fragmented, very literate lyric writing,
Krell is able to create a fascinating juxtaposition of it—singing something
like “And I could feel in my body time
rushing in the way nothing must have felt when something started to begin”—against
the driving, heavy pulses of a beat that was destined to be played in a club
while someone finds themselves in the space between losing themselves and
finding themselves out on the floor.
“Hunger” and “The Anteroom” indicate that this forthcoming
How to Dress Well record won’t be ‘difficult’ per se, but it will be slightly
more inaccessible and artistically constructed when compared to the ‘consent
anthem’ “Can’t You Tell,” or the unabashed pop of the Jack Antonoff produced
and co-written “Lost Youth/Lost You.”
Krell may now be focused on creating music that is a little
harder to access, but it is still incredibly thought provoking—no matter what
form it takes—and his restless sound and desire for experimentalism only
cements the fact that, since the beginning, what he’s been doing transcends ‘pop
music,’ and lies more in the idea of making fearless art.
The Anteroom is out on October 19th, as a limited edition 2xLP or CD, via Domino Records. The songs "Nonkilling 6" and "Hunger" are available to download outside of pre-ordering the album here, via iTunes.
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