Album Review: Nick Cave and The Bad Seeds - Lovely Creatures
Call this collection what you will—a ‘best of,’ an ‘anthology,’ a ‘retrospective,’ or an ‘introduction to’—whatever you want to refer to this as (but not a singles collection though), it’s about time that Nick Cave and The Bad Seeds had something like this.
Pulling material from the first 30 years of the group, Lovely Creatures arrives in myriad
formatting, including a 21 track two CD or three LP edition, as well as a
sprawling 45 track edition, chronologically sequenced, spread across three CDs.
The three disc edition comes housed in a charming cloth
book, accompanied by an essay on the band, collection of career spanning
photographs, and liner notes, as well as a DVD that mixes videos, live footage,
and interviews from 1984 until 2014.
If this all weren’t enough, there is an even fancier (and more expensive) edition that includes a 256 page booklet, comprised of
additional photos and ephemera about the band and its history.
I like Nick Cave, but I guess I didn’t feel up to spending
$70 for a booklet I probably won’t look at all that often, so I went with the
midrange package—the “deluxe edition.”
Totaling probably close to four hours of material from the
band’s career—from its volatile beginnings through its experiments in
minimalism with Push The Sky Away, Lovely Creatures is an all encompassing
look at the many facets to Nick Cave as a performer and a persona, as well as the
ever changing line-up and constantly shifting and evolving sound of The Bad
Seeds.
Organized into ten year increments, here’s the short answer
on the three disc collection of Lovely
Creatures—the first disc moves incredibly slowly; the third disc is
incredibly uneven; the second disc is damn near flawless. This assessment has
to do with the band’s sound at any given time, as well as what tracks are
included in the mix.
Disc one finds Cave still rather confrontational, channeling
the post-punk of his defunct first band, The Birthday Party. Many years ago,
when I was in high school, a friend of mine described the band System of A Down
as ‘satanic carnival music.’ And I suppose that here, at least in Cave’s
earliest material, that is an accurate explanation. He barks over dissonant
piano key strikes on the ominous and clattering “From Her to Eternity;” he
conjures an unnerving tension on “Tupelo;” he is unrelenting on “The Mercy
Seat” and begins to create his slithering lothario character on the novel
“Deanna.” And maybe he plays into the whole ‘satanic carnival thing’ a little
too much with a song aptly titled “The Carny.”
I say that disc one is the slowest moving simply because
material from over 30 years ago hasn’t aged extraordinarily well. It’s
production values are rough, and Cave seems more focused on striking a gothic
tone than writing songs with hooks or melodies. And it’s only near the end, as
the material moves from the 80s, into the early 90s, that you can hear Cave
beginning to grow as a songwriter on classic slow motion balladry like on the
closing piece, “Straight to You.”
Disc two moves into what could be considered ‘golden era’
Bad Seeds, pulling some of their best known tracks like the cryptic “Stagger
Lee,” the surprising duet with Kylie Minogue, “Where The Wild Roses Grow,” and
probably Cave’s best known track, “Red Right Hand.”
This is the disc where you also find Cave starting to mellow
out slightly—kicking a long standing heroin habit helped with that, too. A
large section is dedicated to material from one of the most accessible starting
points to Cave’s career, as well as one of my personal favorite Bad Seeds
records, The Boatman’s Call, which
recently celebrated its 20th anniversary.
I say this middle volume of Lovely Creatures is “damn near perfect” because as it works toward
its conclusion, I feel like Cave did a slight disservice to No More Shall We Part, and the maligned Nocturama (an album that he himself
refers to as a ‘flop’ in The Sick Bag
Song.) One song from the actual Nocturama
LP appears, alongside a b-side from that era (the emotional “Shoot Me Down”);
and while the tender “Love Letter Love” makes an appearance, representing No More Shall We Part, the omission of
“Hallelujah” seems like a punishable offense.
Disc three is the most uneven of the bunch, collecting
material from the double album Abattoir
Blues/The Lyre of Orpheus (six songs all together), seemingly too much from
one of my least favorite latter day Cave, Dig
Lazarus Dig, and then finishing quietly with songs from 2013’s Push The Sky Away.
The songs from the double album are wisely chosen—that set
of songs, overall, is phenomenal anyway, capturing a very raw, organic,
energized Bad Seeds—represented here in the rollicking and soulful “Hiding All
The Way” and “There She Goes, My Beautiful World”; elsewhere, it’s the somber
and humorous “Babe, You Turn Me On.”
The psycho-sexual angst of Dig Lazarus Dig was never something I bought into, and it seems to
find Cave in a full-on lothario mode, which I blame on his Grinderman side
project. So for me, these five tracks are skippable, and that brings us to the
end.
Push The Sky Away
is not a “quiet” album, per se, but it does find the band practicing more
restraint in comparison to many other songs found across this collection, with
both “Jubilee Street” and “We Know Who U R” being stand outs from the four that
find their way tacked on to the end of the third disc. The very sparse titular
track closes things out, which unfortunately, provides a bit of an
anticlimactic conclusion—while organizing everything chronologically is great
for an organizational aspect, perhaps there would be a better flow throughout
if things had been sequenced based on tone and energy, as I believe the two
disc edition of this was.
45 tracks is a pretty intimidating starting point for
someone looking for a crash course in Nick Cave and The Bad Seeds, but this is
a very diverse and mostly inclusive retrospective. While there are specific
albums that are easy access points for the entire canon, Lovely Creatures is far from comprehensive, but as the final disc
concludes, one cannot deny that it’s a labor of love from start to finish,
housed in a gorgeous package, and it does justice to both long time fans, fair
weather listeners, and first timers.
Lovely Creatures is out now in myriad formats.
Lovely Creatures is out now in myriad formats.
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