Album Review: Yo La Tengo - There's A Riot Going On
They’ve been a band for 34 years, performing with the same
line up for over 25 of those years, so is now the right time for Yo La Tengo to
release a precocious, incredibly experimental record?
It isn’t like they’ve always been a straightforward act—but
their fifteenth album, There’s A Riot
Going On—a collection of dense, unconventional songs, happens to arrive five
years after1 what may be one of their shortest and easiest to
comprehend—2013’s Fade.
A bulk of Yo La Tengo’s canon, specifically beginning in
1997 with I Can Hear The Heart Beating As
One, are structured around the band finding the balance between catchy and
concise ‘pop’ songs, feedback laden guitar theatrics, moody, somber slow burning
experimentalism—and everything in between.
Assembled slowly over the course of the last three years,
and pieced together from a decade’s worth of recorded but unused ideas and
sketches, now looped and manipulated alongside new bits created while the band
was learning an updated Pro Tools interface, There’s A Riot Going On is a lot to unpack and process. Sprawling itself
across 64 minutes, there are moments where something moderately catchy
materializes, though there’s no clear song that screams ‘single,’ and throughout,
there are a number of atmospheric instrumentals that both keep the album moving
forward while, at the same time, weigh it down.
It’s the kind of inward, pensive, and personal listen that
unfolds very deliberately, intended to be consumed as a whole—and, dare I say
it, is best suited to be a ‘headphone record.’
Despite the slightly confrontational, political title (yes
it is a reference to the Sly and The Family Stone album of the same name),
there is nothing found within There’s A Riot
Going On that could be considered as ‘explosive’ as the band is capable of
being. There’s dissonance, sure, but’s all very reserved and controlled this
time around—perhaps a sign of the band’s age (guitarist Ira Kaplan is now over
60), or perhaps bursts of feedback and nervy, sloppy, indie rock fuzz is not
what Yo La Tengo was going for here.
There’s A Riot Going On is, as you can anticipate, a very slow
moving record—but not in a bad way. There’s no point during it when it tests
your patience, and since it is meant to taken as a whole, you just kind of let
it go, knowing that it’ll come to its conclusion when it is good and ready. Opening
with the slow burning instrumental, “You Are Here,” the first voice you hear is
during the second track, the very strummy and jangly, yet kinda sad “Shades of
Blue,” sung by percussionist Georgia Hubley.
After a calculated opening, the
album begins to gain some momentum with a more ‘traditional’ sounding Yo La
Tengo song, on “For You Too”—a kind of feeling they opt not to tap into again
as There’s A Riot continues, allowing
the record to delve back into its moody instrumentals and other assorted sonic
experiments, like the cacophonic, pulsing rhythms of “Above The Sound.”
That is to say it doesn’t stay
away from familiar Yo La Tengo territory—there is the back to back double shot
of “Let’s Do it Wrong” and “What Chance Do I Have,” both of which feature the
band’s trademark, whimsical, dusty sounding drum machine—on the former, it’s
used in a slightly more jaunty fashion; on the latter, it simmers in
somberness.
There’s A Riot Going On is an album that oozes confidence—I mean,
it kind of has to. For any band, whether they are at an early point in their
career, or if they’ve been at it for three decades, something like this is a
gamble, and you have to hope that your audience is going to be smart enough to
follow along, or at the very least, be willing to play along.
From start to finish, There’s A Riot Going On is an album
that’s about balancing opposites, or at least creating very obvious contrasts.
It’s not an easy album, but it’s also not inaccessible; it’s interesting to say
the least and moderately self-indulgent at times, but it’s also completely
compelling and fascinating to see the group working within this very specific
structure.
It’s not a record for the passing
Yo La Tengo fan, or someone who is only familiar with their most popular
singles—There’s A Riot Going On
arrives, whether it was intended to or not, as a bit of an homage to the subtle
sonic nuances that have been found throughout their canon thus far.
1- For what it’s worth, I don’t
count their 2014 acoustic reimaginings and covers album, Stuff Like That There, as canon.
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