Album Review: Terrace Martin - Velvet Portraits
By all accounts, I should be someone who likes Kendrick
Lamar. But despite my best efforts—and believe me, I have tried on more than
one occasion—I just can’t bring myself to see what all the fuss is about.
However, one thing that Lamar has done is brought a number
of jazz, funk, and R&B arrangers and musicians to the forefront of popular
music—which, after giving in to the Kamasi Washington triple album at the end
of last year, I’ve realized this is a very good thing as far as being
introduced to performers you may otherwise not have heard of.
Such is the case of Terrace Martin, a multi-instrumentalist
and producer who just released his second album, Velvet Portraits, a relatively solid and enjoyable set that
seamlessly and nearly effortlessly blends hip-hop, jazz, funk, and modern
R&B into something that isn’t so much new, or unique—but is still
admirable, familiar, and extremely listenable nevertheless.
Velvet Portraits
works the best, and finds the most success on its instrumental tracks,
including the smoothed out, sun soaked funk of “Valdez off Crenshaw,” the
skittering percussion and slow motion grooves of “Curly Martin,” and the
hip-hop infused beats on the swirling “Tribe Called West.”
That is not to say that the pieces that feature vocals are unsuccessful by any means, but there is
an odd generic, and slightly less captivating and interesting feeling to those
tracks (like the ready for public radio sounds of “Push” and “Patiently Waiting”)
when compared to the atmosphere created by the instrumental, more jazz based
songs on the record.
But there are exceptions to even that: there’s the codeine
drip of “Never Enough,” and the impressive
G-Funk blasts of “Turkey Taco.”
Despite the back and forth nature of a release like this,
where the track list alternates between instrumental breaks and vocal based
tracks, taken as a whole, Velvet
Portraits is a surprisingly fun and accessible listen. For those who are
just starting to dabble into more jazz, funk, or R&B based music, it
doesn’t really serve as an introduction to the genres because of how modern it
all sounds, but it does help with the process of opening more doors to like
minded artists, both from the past and from the present.
Velvet Portraits is out now via Ropeadope.
Velvet Portraits is out now via Ropeadope.
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