Album Review: Ummagma- Lama Remix LP
So, full disclosure, one-half of the Ukrainian/Canadian
dream pop duo, Ummagma, reached out to me via social media awhile back, and
asked if I would take a listen to their forthcoming release, and review it for
the blog here.
Once I obtained a copy of said album, I was a little
surprised to see that it was, in fact, a remix album of the band’s song “Lama.”
So it’s seven variations on a theme, with the eighth track being the original
version.
This has been out for a minute, and usually I try to be a
little timelier about reviews—especially if the artist has directly approached
me. But I’ll admit that I was a little uncertain on how to proceed with
absorbing, and then writing a review, of something that is, really, the same
song, eight times.
The good news is that after easing my way in, and finally
getting into the Lama Remix album, I
found that I wasn’t going to be essentially listening to the same song eight
times. While the remixes all use the same starting point, they are all
drastically different enough as to create their own unique and refreshing take
on the song.
The various remixes each approach “Lama” from a slightly
different perspective—some focusing on maintaining the verse/chorus/verse
structure of the original, while some opt to split up the vocal track, singling
out specific lyrics, or omitting some completely. Musically speaking, these are
all considerably distinctive. Both the “A Copycat” and “Sounds of Sputnik”
remixes both add some very heavy 80s synthy/Goth vibes, but each in their own
way, while the “Alexander Robotnick” take on “Lama” nearly turns it into a lost
Everything But The Girl song.
Then there is, of course, the original version of the song.
I will say that it’s obviously very intentional on Ummagma’s
part to include the original version of “Lama” at the very end of this
effort—the song itself is originally from the band’s 2012 LP Antigravity. It kind of arrives as if to
say, for those who are familiar with the band, “Hey, don’t forget what this
song actually sounds like,” and for those who are new to Ummagma (like myself),
“Hey, this is what this song actually sounds like.”
Certainly, a collection of eight variations on the same
thing works best if broken up, so as not to overdo it—though the first two
remixes are so different from one another, you nearly forget your are listening
to the “same” song. The Lama Remix
Album serves as both a nice introduction to the band, as well as an example of
the endless possibilities in contemporary popular music. Where one may thing
they’ve reached the end and completed a song, someone else may look at it and
see merely the beginning.
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