Hot New Joint: "Day I Die" by The National
If it feels like I’ve written about The National about once a month this summer, it’s because I practically have. It’s been a long, slow roll out for Sleep Well Beast, with singles released in May, June, and August—and now with the album’s arrival on the horizon, it’s time for one final preview—the rollicking and upliftingly titled “Day I Die.”
Coming after the somber, slow burning double-shot of “Guilty Parties” and “Carin at The Liquor Store,” “Day I Die” is a jolt to the
system—reminding listeners that Sleep
Well Beast isn’t going to be entirely comprised of maudlin sad bastard
music (but that would be perfectly fine with me if it was.)
Structured around clanging accessory percussion and a
frenetic, precise, and thundering rhythm from powerhouse drummer Bryan
Devendorf, and crunchy electric guitar flourishes, “Day I Die” soars—for how
downcast of a title it has, musically speaking, it’s absolutely triumphant
sounding.
Simplistic in its driving hook, I wouldn’t say that “Day I
Die” is a mean spirited song, but it doesn’t exactly put its
protagonist—presumably National frontman and lyricist Matt Berninger—in a
particularly good light, and thematically, it continues on with the overarching
conceit of Sleep Well Beast, which
from all these advance singles, seems to be about the give, take, and struggles
of maintaining a marriage.
“I don’t need you, I
don’t need you,” the opening line is hurled. “Beside I barely ever see you anymore.” Attempting to keep up with
the ridiculously fast paced tempo of the song, Berninger outlines an argument
between a couple, playing both parts, and making a surprising turn as an indie
rock lothario with the line ,”Young
mothers they love me, and even ghosts of girlfriends call from Cleveland—they
will meet me anytime and anywhere.”
Early on in The National’s lyrics, Berninger was very
self-referential—often recycling or calling back to other, older songs. This
eventually tapered off around the time of High
Violet; this reference to Cleveland in “Day I Die” is the first time in seven
years that the band has made mention to their home state of Ohio, creating a
juxtaposition to the line from “Blood Buzz Ohio”—“I never married, but Ohio don’t remember me.”
In the song’s third verse, Berninger also makes reference to
a song dating back to 2005’s Alligator—the
mysterious, slow burning “Val Jester.” “I
get a little punchy with the vodka,” he confesses, “Just like my Great Uncle Valentine Jester did.” Then, shortly after that, he declares, whether he really
wants to admit it or not, “I’m exactly
like you Valentine. Just come outside
and leave with me.”
“Day I Die” is an exercise in balance and contrast. It’s not
as moody as “Guilty Party,” but lyrically, it is so visceral and real—and that
is set against the back drop of a driving, anthemic ‘rock song,’ the kind that,
sonically, is on par with the aforementioned “Blood Buzz” and Trouble Will Find Me’s “Sea of Love.”
Though both of those songs were a little melancholic and
desperate, respectively, in their delivery, “Day I Die” boasts an unnerving
sense of urgency—perhaps because it is true marital discourse set to music.
Long gone are the days of murky non-sequiturs and fragmented
imagery from Berninger’s lyrics. The band has grown in the scope of its sound,
and as a songwriter, he’s become more direct—Sleep Well Beast seems to be shaping up to be the band’s most
direct, and most personal, thus far, and “Day I Die,” while not the most
impressive of the advance singles from the record, is a strong indicator that
this album is going to be absolutely devastating as a whole.
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