Album Review: Little Pain- When Thugz Cry
The “sad rap” movement is a very real thing.
At first glance, it sounds ridiculous—just like any other
theoretical genre: chillwave, jangle pop, witch house, etc. But I can assure
you that sad rap is anything but ridiculous. It is, in fact, incredible, and it
takes #realtalk to a whole different level.
If you don’t believe me, I implore you to believe in sad
rapper Little Pain, and his debut mixtape When
Thugz Cry.
Hailing from New York, according to an interview, Pain
started working on music just earlier in 2013, after spending time listening to
instrumental tracks online, and with encouragement from a friend, Pain began
writing his own rhymes about the things he was going through at the time.
I remember hearing about Little Pain in the spring, when Vice’s music site, Noisey, ran a piece on him, and I remember feeling incredibly
uncomfortable with the sample of someone coughing uncontrollably (and then
sobbing) that is used on the track they featured, “High Cry.” That song also
appears on Pain’s mixtape, and yes, the hacking cough is still unsettling to
hear (even more unsettling is the crying that runs throughout most of the
album’s second track “S.M.H.”), but I don’t care, because after spending a good
portion of Thursday and Friday, and most of Monday listening to only When Thugz Cry, I believe in sad rap.
The album opens up with the unrelenting “Suicide Watch,”
where Pain frantically drops some amazingly clever lyrics—“Started from the bottom and I’m still where I started, and I never ask for shit, I don’t even beg
your pardon,” arrives early on, while a Raider Klan-esq, spooky-as-fuck
beat plays behind him. It’s almost entirely too much—between the intensity of
the beat and the emotion within Pain’s delivery and lyrics, so it’s a relief
that it’s only a two-minute track.
Pain slows it down a little on the tracks that follow—the
aforementioned “S.M.H,” and “High Cry,” both incorporate trap-style beats with
slightly less spooky arrangements. On the second half, “Got No Money,” is
surprisingly sunny and synth heavy—perhaps a tongue-in-cheek nod to more
pop-leaning rap music.
Things get smooth on an R&B tip with “Love Tears,” where
Pain expresses his love for emotional women—“just a bunch of Gothic bitches and a couple of my peers” is his
idea of a good time. Later, after female MC Jelz Much drops a seductive (and
sad) verse, the song takes a turn into a cover/homage to the R. Kelly classic
“Feelin’ on Yo Booty.”
Little Pain- "Big Pain Tribute"
Little Pain- "Big Pain Tribute"
The album’s penultimate moment arrives with the seriously
touching tribute to Pain’s family dog, Big Pain, who passed away over a decade
ago—“cried every single day since my dog
died,” he says early on in the track. “Fuck
a friendship, we had a sadship.” Look. I don’t even know what a “sadship”
is, but it sounds beautiful. The track itself, one of many produced by
Suicideyear (an aptly named colleague), is mournful—the keyboard sound chosen
is incredibly comforting all while maintain a heavy pall cast over it. And as someone who knows a thing or two about
the loss of a companion animal, this song hits incredibly close to home,
cementing how real Little Pain’s sad rap movement is.
This is from a gimmick or a novelty, and When Thugz Cry is brief enough (35
minutes) so that we understand that, and it doesn’t linger around to test the
listener’s patience. It’s a smart album—lyrically, Pain knows enough to
sprinkle some humor in throughout the ever-present sadness; and he’s also
incredibly articulate—for the most part, he favors a “slow and steady” delivery,
a choice that allows the lyrical content to really sink in.
Some MCs choose to rap about dealing drugs, or killing
somebody. Some use rap as an outlet for social issues or political unrest. Some
rap about name brands and their love of the finer things in life. As a middle
class white man, it’s incredibly hard to identify with, like, nearly all of the
rap music that I listen to. Little Pain, bless him and the tears he’s cried,
has merged hip-hop music with something that EVERYBODY can relate to—sadness.
It’s amazing combination, and I truly admire his 100% commitment to the idea.
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