Album Review: DJ Orange Julius - The Grove
At first, it sounds like a sample of someone saying “Mo
Lethal,” which I could have sworn was something—like, a record label of some
kind—relating to Bone Thugs-N-Harmony.
But the internet has provide me with no results for the
phrase “Mo Lethal,” and that’s okay, because that’s not how The Grove actually opens. The opening
track, the jittery “Still Geekin’” opens with a chopped up sequence of samples
from the song “Breakfast” by Gucci Mane—a song he obviously recorded before his
incarceration and recent sobriety. “I
smoke weed for breakfast,” Gucci mumbles, his disembodied voice worked into
the frenetic beat. “I drink lean for
breakfast.”
The sample choice for “Still Geekin’” doesn’t serve so much
as a mission statement for what is to come on The Grove, but it certainly does set the stage for the album that
follows.
There is a lot going on in The Grove—not just within the confines of the album itself, but
also with the enigmatic collective responsible for its release.
Despite the amount of EPs and mixtapes available on the Mall
Music Inc. Bandcamp page, The Grove
is the debut full length album from Mall Music mastermind DJ Orange Julius—the
label serves as the home for his work, as well as that of his similarly named
cohorts, DJ Paypal and DJ Mastercard. The three of them work within the
shadows—if they conduct interviews, it’s through email or via Skype with no
camera; if they perform live, they obscure their faces through masks, bandanas,
hats, and hoods. It seems gimmicky, yes, but it also adds to the allure of The Grove, making it all the more
intriguing of a listen.
The Grove is an
album steeped in the long tradition of sample-based music. It, like many things
before it, owes a ton to the likes of DJ Shadow’s groundbreaking Endtroducing…, but it also owes a lot,
and is more akin, to the subgenre of electronic music known as footwork, the
Teklife crew, and the late DJ Rashad—his first and only studio album Double Cup rejuvenated the mostly
underground genre.
I could toss around words like “frenetic,” “jittery,” and
“skittering” to describe The Grove—and
those are all 100% accurate. Musically, this thing doesn’t let up for a second,
even when it abruptly changes tempo mid-song, the energy this record has is
exhausting. Nearly every song is structures around snappy, crisp, trappy
percussion, and the focus is on cramming out of context vocal samples into
strong, driving rhythms—creating a repetitive, hypnotic, infectious, and
unrelenting atmosphere.
From the lean and weed breakfast of “Still Geekin’,” The Grove effortlessly slides into the
smoothed out 90s R&B flourishes of “Anuva,” the colorful and funk-infused
“Skkrtt,” into the Guy-sampling, rollicking and wild “Out on The Floor.”
With the vocal sampling, occasionally Orange Julius moves
into Burial territory with drastic shifts in pitch to evoke a specific mood for
the song—he does this on the Nat King Cole sampling “Unforget,” which sharply
juxtaposes gleeful sounding sped up vocals with those of Cole’s, which are
slowed down to a moderately haunted sounding codeine-like drawl.
Following the moody and ethereal piano based “Finally
Together,” and the hip-hop posturing of “Motherfuk’n G,” The Grove doesn’t so much lose momentum (how could it?) but it
seems to be structured in such a way that it’s frontloaded with its strongest,
and most accessible material. It’s not that the returns are diminished in the
second half, it’s just that it seems like possibly more time was spent
constructing songs with in the first half, and they arrive more successfully
executed.
“Footwork” will always been a genre that will be an acquired
taste—and an album like The Grove
relies pretty heavily on its listener being patience and having a pretty good
sense of humor, so it goes without saying that this isn’t for everyone.
However, it’s an interesting album—due to the energy it is very tough to
concentrate on anything but this
record while listening to it—so it is a demanding, though surprisingly fun
effort.
The Grove is out now as a limited edition vinyl LP and as a digital download via Mall Music.
The Grove is out now as a limited edition vinyl LP and as a digital download via Mall Music.
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