Album Review: Apollo Vermouth - Crashing Into Nowhere
Putting it mildly, the new release from Alisa Rodriguez’s
Apollo Vermouth project, Crashing into
Nowhere, is the kind of record that you can all too easily get lost in.
Crashing arrives
three years after my introduction to Rodriguez’s work as Apollo Vermouth—her
last full length, Fractured Youth,
was part of the spring 2014 batch of releases from Kevin Greenspon’s Bridgetown
label. In an interview with the website Dimestore Saints, she attributed the
long stretch of time between albums to both a break from songwriting, as well
as a lack of enthusiasm for what was happening when she would pick up the
guitar.
Finding her way back to the Apollo Vermouth project, Crashing into Nowhere finds Rodriguez working
with renewed and razor sharp focus—effortlessly layering countless elements
into each piece to create lengthy and other worldly atmospheres that completely
envelop you every time you listen.
Spread across seven compositions, it’s the first half of Crashing into Nowhere that burns the
slowest—the opening piece, “Detached,” slides along at a near glacial pace,
sharply juxtaposing a chill in the air with the warm tones and cavernous reverb
that Rodriguez works to deliberately build—expanding on all that later on with
the sprawling, gorgeous, and majestic sounding “He Dreamt of Blue Skies,” an
evocative piece that somehow manages to find the spaces in between the eerie or
unnerving, with the welcoming and comforting.
“Always There,” and the late-arriving “Reflections Of” find
Rodriguez entering new territory with the Apollo Vermouth project—incorporating
minimal percussion from a drum machine, as well as lyrics and vocals. “Always
There” features an appearance from Travis Johnson; “Reflections Of,” the
album’s first single (and probably most accessible song) features Eli Smith of
The Honeymooners.
Rodriguez herself appears on the album’s closing, and
titular track; her nearly whispered vocals, in true shoegaze fashion, buried
deeply within the mix, tucked in under the torrent and cacophony of guitar
waves the song is structured around.
Crashing into Nowhere
is the kind of record that needs to be heard to be believed; and even then—even
when your headphones are nestled on your ears (essential for listening to this
record), you still have to scratch your head and wonder just how Rodriguez is
able to conjure such sonic environments. And while there are a few moments
where it shows similarities to its predecessor, Crashing is a huge step forward for Rodriguez and the Apollo
Vermouth name—cementing her as both a masterful ambient/experimental guitarist
and as a composer of wordless music that is able to speak volumes.
Crashing into Nowhere is out now via Orchid Tapes as a limited edition cassette or a digital download.
Crashing into Nowhere is out now via Orchid Tapes as a limited edition cassette or a digital download.
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