Album Review: Swervedriver - I Wasn't Born to Lose You
Reunions are nothing new. Bands break up and then get back
together (and sometimes break up again) all of the time at this point. If you
stay away long enough, allowing your canon to achieve new life from later day
audiences discovering it, your reunion turns into a big deal—you make big
announcements, you headline festivals, you are offered tons of cash in exchange
for said festivals, etc.
We’ve gotten to the point with the whole shoegaze reunion
thing that we’re now getting into the second and third tier bands getting back
together, expecting people to get any shits about it. In 2007, My Bloody
Valentine reunited, played a bunch of odd dates here and there, played
festivals, and then six years later, and released its much hyped and
mythologized third album. They toured sporadically in support of it, confessed
how much they hated touring, and then claimed they were working on an EP of new
material—meaning, we’ll see them again (maybe) in another 22 years.
In 2014, it was Slowdive—of “Alison” and “40 Days” fame.
This year, it’s Ride, who are remembered for the sweeping grandeur of “Vapour
Trails.”
And now, there’s Swervedriver.
Not to sell them short, but at this point, you may as well
tell me that Chapterhouse or The Boo Radleys have reunited, as we continue to
tick our way down the list of “every shoegaze band from the 1990s” list.
Swervedriver actually reunited in 2008 and toured stateside
at one point with nu-gazers Longwave (also now defunct, so I’m looking forward
to their reunion tour in 2018.) But I
Wasn’t Born to Lose You marks Swervedriver’s first new album since 1998.
I think at some point in my life I probably tried with this
band, but I always kind of looked at them with a little bit of a raised
eyebrow, thanks in part to questionable song titles like “Last Train to
Satansville.”
Nearly two decades have passed between recordings for
Swervedriver, but from the first notes of I
Wasn’t Born to Lose You, it’s clear that the “90s sound” is alive, and
well, and living within the band, even in the modarn year of 2015. And while
usually I find something charming and endearing in a band that has that affect,
in this case, since the band is originally from the 90s, the album, right out
of the gate, comes off as incredibly stunted (and not in, like, the good,
“urban” way.”)
I Wasn’t Born
isn’t unlistenable or anything, but it’s also not a very interesting album. It
kind of limps along lifelessly through the first half, with the only real signs
of life arriving in the lengthy “Everso,” a track that I was surprised enough
by to make wonder if I had written this off too early. But then “English
Subtitles” comes on, and the band switches gears right back into the MOR
malaise.
There’s also a point when I became concerned I was
accidentally listening to a Foo Fighters album when the late in the game rawker
“Deep Wound” started.
The real issue I take with this album is that it’s not bad. It’s just completely unmoving to
me. It’s too polite almost—too polished sounding, too restrained, not very
exciting. It’s certainly pleasant to
listen to, but part of the charm of shoegaze, or at least the noisier end of
it, is that it’s not an inherently pleasant genre. It’s obnoxiously
loud—deafening at times. This is way too sterile—conjuring up a bit of a
restless boredom when one listens, so that it, unfortunately, is not the kind
of album that could grow on you due to multiple listens, because it’s not
really the kind of thing that is warranting itself to multiple listens.
My lack of interest in this record has me wondering if I’ve
outgrown “shoegaze” as a genre. I certainly hope not, though most days when
people are foolish enough to ask me what I’m listening to lately, I tell them I
only listen to hip-hop and ambient droning. I loved shoegaze enough to create
“Shoegaze Tuesdays” on the radio program I used to host from 2010 until 2012, which
I think was sometimes maybe just too alarming to play on the AM radio in our
community. But since last summer’s Rend
from Crisis Arm, there hasn’t really been a ton of “shoegaze influenced” music
that I’ve been hearing that has really done something for me. And if it’s not me that has the problem, then is it the revitalization in the genre
that has played itself out for the time being?
Maybe I’m the wrong audience for I Wasn’t Born to Lose You because Swervedriver were a band that I was
made privy to so long after the fact, and maybe a “reunion” album isn’t the
best place to start with them. Maybe this is for true fans only who were in
their 20s or 30s when Raise came out
in 1991 at the height of the scene. It all just seems a little disingenuous to
me—this record. Like, you can retain your original sound, but nearly 20 years
down the line, bringing something new to the table as well is also usually a
good idea.
I Wasn't Born to Lose You is available now digitally and on CD, and may possibly be available mid-March on vinyl of varying colors, via Cobraside.
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