Hot New Joint: "Spectre" by Radiohead
Rejected as a submission for the James Bond film of the same
name, “Spectre” finds the band doing something that they haven’t done since
2007: sound like an actual band.
Sure, Radiohead released The
King of Limbs in early 2011, but despite how much you may or may not have
liked that record, the fact remains that it didn’t sound much like five people
operating as a whole; it sounded like the kind of thing Thom Yorke would put
together on his laptop over a long weekend and release as a solo album.
So “Spectre,” in a sense, serves as a return to form for the
band. Or at least, a return to one of their forms—since OK Computer, they’ve always been a little restless with what sound
they settle on at any given time, but here, they fall back into the lush
orchestration and organic soundscapes they last visited on In Rainbows.
Clocking in just over three minutes, “Spectre” wants to be
essential in the band’s canon, but it feels somewhat unfinished. You get the
feeling that you are on the cusp of something really big happening, and then it
just ends without much in the way of resolution.
When listening, it’s hard to separate its near association
with a movie, and in writing the song, you have to wonder what the process
was—if the band were shown a rough cut of the film, or if they were just given
the title, and simply told to go to town. Either way, “Spectre” does a good job
of remaining ambiguous with its lyrics: “I’m
lost, I’m a ghost. Dispossessed, taken host,” Yorke sings in the opening
line. It’s the kind of open-ended, dissociative writing that we’ve come to
expect from the band.
On a side note, even though this attempt at a movie theme didn’t
completely work out in the end, I am just pleased the band could complete it
and turn it in for consideration. Radiohead notoriously tried to record a song
for the 1998 movie The Avengers, but
as documented in the movie Meeting People
is Easy, tensions ran high in the studio while attempting to commit “Big
Boots” AKA “Man O War” to tape, and the sessions, and song, were abandoned.
The real question that surrounds “Spectre” is if it a sign
of things to come from the band, or if it was just a one-off that didn’t pan
out. The band spent a bulk of 2015 in the studio, recording their ninth
record—but what does it sound like? Does it sound like this? Or does it sound like something else completely? And more
importantly: when will we find out?
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