Review: Anne and Whirr - Double 7" Split Single
Separated by a drive up the west coast of this country, I
heard about the Bay Area’s Whirr, and Portland’s Anne, last year, roughly around
the same time. While they have similar influences, I think, Whirr is more of a
traditional shoegaze band—in the sense of lowly mixed vocals, echoy and reverby
guitars—while Anne fall into a category that I suppose I would call dream
pop—shimmery guitars, heavy synths.
Both acts have one full-length release to their name, as
well as various singles and EPs, and most recently, they collaborated on a
split, double 7” single. What does that even mean? Typically, a split single
involves one artist taking the A side, while the other takes the B. In this
situation, there are two separate 7” singles—Whirr take the A and B side of the
first one, while Anne takes up the first side of the second, and the lyrics to
their songs are stamped onto the flip side.
In September it was announced that Run For Cover Records,
would be putting out said split 2x7”, with a release date set in October. October
came and went, and still no singles—just consolation prize MP3s emailed to me.
As it turns out, in this world where vinyl is outselling compact discs, I guess
actually pressing vinyl records is very difficult. There was some kind of issue
with the stamping of the lyrics into the backside of the Anne single, and the
production delay lasted until mid-December.
The reason that this is such a first world problem, or indie
world problem, for me is because unless I have a physical copy of a record (vinyl,
compact disc, even cassette), I tend to not listen to it as often. MP3s build
up on my computer, and are often neglected for months. I don’t have an iPod, I
only keep a small amount of music on the SD card of my Smart Phone for travel
purposes only, and I really don’t care to sit down at the computer to listen to
music.
So unfortunately for this release, it went relatively
unnoticed until my copy finally arrived last week. The packaging itself is
pretty awesome—a double gatefold, heavy cardstock sleeve houses both singles.
The singles themselves are pressed onto white and black marbled vinyl.
(and yes, my hands are fucking huge.)
Musically speaking, this most definitely benefits from a
listen on vinyl. Whirr’s two tracks—“Twist” and “Between Awake and Asleep”—are
exponentially more exciting than a bulk of their debut full length, last year’s
Pipe Dreams. The songs here are more
on par with their impressive EP Distressor.
“Twist” showcases their harder edge—that’s what can occur when you have THREE
guitarists within the band, while “Between Awake and Asleep” is gorgeous slow
motion shoegaze to the core.
Anne’s music has an underscoring of menace to it. Whether
that is intentional or not is yet to be determined. It was found on their
excellent debut LP Dream Punx, as
well as the stand alone single “Power
Exchange.” Perhaps that menace comes
from the very thick delay used on their music, or their penchant for heavy
synth drones, or heck, even the vocal delivery of frontman David Lindell—who
can occasionally sound like Chino Moreno of the Deftones.
Of the two songs contributed by Anne, the lead track, “Pet
Names,” is far superior to its companion “Occasional Lovers.” Both songs pack a
punch though—far punchier than Whirr. Anne mixes post-punk, a hint of shoegaze,
and a dream pop aesthetic for a unique modern sounding take on older generes.
Both of these bands have been gathering some national
attention within the last year, but they seem to rarely tour. If they do play
shows, it is typically within the west coast. This split shows two young bands
that continue to grow musically, so hopefully they can use this to catapult to
larger things in the coming year.
This 2x7"split single is FINALLY available courtesy of Run For Cover Records.
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